Moonbeams and More
Julia Street Gallery | New Orleans, Louisiana | 2008
In 2007, Ruben DeSantis, a longtime friend of Chestee,
brought her a gift: four massive blocks of longleaf pine.
“He told me, ‘Have fun! Do something with these!’ ”
DeSantis, a contractor, was renovating a historic New
Orleans structure that dates to the 1800s, the former Café
du Monde coffee roasting house on Tchoupitoulas Street. The
blocks, cut from structural beams, weighed almost 100 pounds
each.
“After about a year of studying the wood, I got the idea
to represent the four forces of the creative process, based
on the Book of Genesis: water as truth, air as spirit, earth
as physical manifestation, and fire as love, which is
constant blessing.”
She began with large sketches — 27 inches tall and 44
inches wide — sized to wrap around each beam. They were
carefully composed so that each side of the beam would
produce one image. But the composition was also a sequential
one: the four panels, printed in succession, created yet
another, complete, image.
She transferred the drawings to the wood and carved each
block in preparation for printing.
“My large flatbed printing press was too small, so Ruben
helped me construct a four-foot by eight-foot
print-and-registration bed on the floor of my studio.”
Friends helped Chestee ink, lift and register each block.
“We stood on them to transfer the images onto paper,” she
recalled.
After the printing was done, Chestee hand-colored some of
these limited edition prints. She also transformed the
woodblocks into polychromatic bas-relief sculptures.
There are three completed titles in the series: Lunar
Invitation, The Dawning and Rebirth of
the Nation.
The drawing for the fourth and final design, Golden
Return, is complete.
Lunar Invitation
36" tall x 11" squarepolychromed wood printing block sculpture
2007
Lunar Invitation
27" x 44"hand-colored woodblock print
Lunar Invitation
27" x 44"woodblock print
2005
Lunar Invitation, panel 2
27" x 11.25"hand-colored woodblock print