Original Prints
Each image is printed on Chestee’s flatbed press and registered in the studio.
Block Prints
In creating her block prints, Chestee uses both wood and
linoleum blocks. The surface of the block is carved away to
leave a raised image. Then ink is rolled onto the remaining
surface areas of the block. The resulting printed image
creates a mirror image of the design. Many of these images
are then individually hand colored.
Lithographs
Chestee was drawn to this traditional process while
studying at the Art Students League of New York. Although
technically challenging, lithography produces highly defined
lines.
This printing method is based on the repulsion between
oil and water. It originated in Germany in the early 1700s
and was used both as an artistic medium and for publication.
The process consists of drawing or painting with oil-based
crayons on limestone or metal plates. Water and printing ink
are successively applied. The oily surfaces repel the water
and absorb the ink.
Embossed Drawings
Chestee created embossed drawing in 1985, while
experimenting with various printing techniques. “I had
experimented with some embossing, but wanted to incorporate
color in a new way into the process.” A plate is formed from
a wood relief, then hand-ground, colored pigments are
applied to the plate with finger and brush. “Then, I run the
plate and damp rag paper through the press,” Chestee
explains.
Cane River Cotton Fields
10" x 24"lithograph
1989
La Chanson de Mardi Gras
21" x 14"hand-colored woodblock print
1999
from the L'Esprit de la Louisiane series
Louisiana Folk Cabin
7" x 5"embossed drawing